You should expect this to be a common theme for this year, by the way. I sincerely hope you're not casting aspersions on me for being this excited about an animated television show, but just in case, I'll remind you that animation is a medium, not a genre, that can be used to tell any kind of story, and good stories are not limited to a single medium. Nor does the intended audience automatically make a series less valuable or worthwhile; Korra may be a cartoon that airs on Nickelodeon, but if it's anything like its predecessor, it will have a complex, interesting plot with dynamic characters and inventive worldbuilding that appeals to adults and children alike. And if the trailers that were released this week are any indication, Korra is shaping up to have a maturity, and yes, even darkness that Avatar: The Last Airbender lacked.
If you're still doubting me, I challenge you to find a character arc in any live action show nearly as well-executed as Zuko's on Avatar, and we'll talk.
ANYWAY, MIND-BENDING TRAILERS OF AWESOME AHOY! WARNING FOR POTENTIAL SPOILERS!
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Showing posts with label storytelling. Show all posts
Showing posts with label storytelling. Show all posts
Monday, April 2, 2012
In Which Aida Flails Over The Legend of Korra
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11:30 PM
In Which Aida Flails Over The Legend of Korra
2012-04-02T23:30:00+01:00
Aida
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Saturday, March 24, 2012
Korra!
The first two episodes of The Legend of Korra were uploaded onto an official Nickelodeon website last night. If you're in the United States, you will be able to access them at KorraNation.com. If you're not, then just do some poking around on the Internet.
Wow. I am so impressed with this show, especially the second episode. The animation is utterly gorgeous; they must have had a huge budget, because everything is drawn at feature film quality. The music is also beautiful, equal parts traditional Chinese instruments and 20s-inspired jazz. The pacing was a little off in the first episode, "Welcome to Republic City," but it improved dramatically in the second, "A Leaf in the Wind." The storytelling is great, and it's clear the creators have a firm idea of where they're taking things.
SPOILER ALERT!
Wow. I am so impressed with this show, especially the second episode. The animation is utterly gorgeous; they must have had a huge budget, because everything is drawn at feature film quality. The music is also beautiful, equal parts traditional Chinese instruments and 20s-inspired jazz. The pacing was a little off in the first episode, "Welcome to Republic City," but it improved dramatically in the second, "A Leaf in the Wind." The storytelling is great, and it's clear the creators have a firm idea of where they're taking things.
SPOILER ALERT!
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Korra!
2012-03-24T22:46:00Z
Aida
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Monday, March 12, 2012
Top Tens: Literary Crushes
Time for another top ten list! It's been a while since my last one, so here you are.
As you probably know, I am a bookworm. I read voraciously as a kid and still go through new books pretty quickly now even though I have less time to read them. My preferred genre is probably fantasy, but I love historical fiction, contemporary teenage fiction, and sci-fi as well, and generally I'm not too picky; if a book is good, I'm usually willing to read it. I don't read much romance, but most of my favorite books include at least a romantic subplot, and I confess that I care way more about said subplots than I strictly ought to much of the time.
I strongly suspect that part of the reason I haven't had a boyfriend yet is because my expectations have been raised too high by literature. Funnily enough, I still don't really know what my type is in real life, but I definitely have a literary type. Almost all of the love interests on my list are good-humored, funny, devoted to their families, clever, kind, and really dedicated to their ladies. A little distressingly, at least to me, they all happen to also be white, which is sadly probably reflective of the lack of protagonists of color in mainstream literature. I think the other issue is that I love these guys for how they love their love interests, so a lot of the traits I find attractive are really kind of specific to their relationships with women who aren't me. But hey, since they are fictional and I am not, it was never going to work anyway. Well, here goes. See if you can guess who I picked (let me know if you got any right).
SPOILER ALERT: Some ending details for Persuasion, Northanger Abbey, The Hunger Games trilogy, Madeleine L'Engle's Time and Austin series, The Princess Diaries series, the Anne of Green Gables series, Pride and Prejudice, and the Harry Potter series.
Pluses: Very patient, honorable, quite the way with a pen
Minuses: Tendency to be distant, man in uniform (I know that's a plus for a lot of people, but not for me. No offense if you happen to be one, but I happen to be ethically opposed to the military as an institution - not to you personally, of course)
Minuses: As an introvert, I sometimes find it difficult to keep up with very extroverted people, as I think Henry is. Since Catherine and I seem to have this in common, perhaps it wouldn't be a huge roadblock, but I imagine it would hamper things somewhat.
Pluses: Strong sense of self, dry, self-deprecating wit, devotion to the people he loves
Minuses: I am a little bothered by how self-sacrificial he is. Possibly another one of my paradoxes; I am moved by all-encompassing love, but I get annoyed at characters that don't seem to have a life beyond their love interests. So, yeah. Also, Peeta's a bit manipulative in a way I don't entirely love.
Pluses: The "dreamboat eyes" scene, doesn't care what other people think, kind, open, smart, supportive, wants to love and be loved
Minuses: His family would make for awful in-laws
Pluses: Brave, sweet, devoted to his friends and family, such a fabulously layered and developed character
Minuses: Forgetful, fictional (and therefore not able to be my boyfriend)
He got considerably less dreamy around the time that Mia herself gets really annoying (I don't think either of them acquitted themselves well in the Michael's-not-actually-a-virgin-(even-though-Meg-Cabot-had-said-he-was-on-her-website-and-then-changed-her-mind-because-she-wanted-to-~make-a-point~-or-something)-and-surprise-Mia-he-never-told-you situation. But come book 10, when Mia's with the supremely unlikable J.P. and Michael comes back from Japan, I was quite happy it was as his lovable old self. Mia was, too.
Pluses: wonderfully nerdy, nice, caring, considerate, patient, musical (I like guys who can sing and/or play instruments), hot (as Mia informs us about ten times a book, but those passages about his well-defined pecs made quite an impression on me as a preteen)
Minuses: a little too cavalier about sex (or at least about the Judith Gershner situation above)
Pluses: smart, caring, friendly, good with kids, "I called you." "And I came."
Minuses: Trust issues
Pluses: Everything
Minuses: Nothing
Pluses: Devoted (both to Lizzy and to his little sister), a good friend, clever, kind
Minuses: Not great with strangers, proud (although he gets better)
Pluses: Loyal, brave, hilarious, compassionate (especially midway through DH and onward), protective, caring, red hair
Minuses: Hotheaded, not particularly academically-motivated, has jealousy and confidence issues (that he has mostly resolved by the end of the series), can be rather mean sometimes.
As you probably know, I am a bookworm. I read voraciously as a kid and still go through new books pretty quickly now even though I have less time to read them. My preferred genre is probably fantasy, but I love historical fiction, contemporary teenage fiction, and sci-fi as well, and generally I'm not too picky; if a book is good, I'm usually willing to read it. I don't read much romance, but most of my favorite books include at least a romantic subplot, and I confess that I care way more about said subplots than I strictly ought to much of the time.
I strongly suspect that part of the reason I haven't had a boyfriend yet is because my expectations have been raised too high by literature. Funnily enough, I still don't really know what my type is in real life, but I definitely have a literary type. Almost all of the love interests on my list are good-humored, funny, devoted to their families, clever, kind, and really dedicated to their ladies. A little distressingly, at least to me, they all happen to also be white, which is sadly probably reflective of the lack of protagonists of color in mainstream literature. I think the other issue is that I love these guys for how they love their love interests, so a lot of the traits I find attractive are really kind of specific to their relationships with women who aren't me. But hey, since they are fictional and I am not, it was never going to work anyway. Well, here goes. See if you can guess who I picked (let me know if you got any right).
SPOILER ALERT: Some ending details for Persuasion, Northanger Abbey, The Hunger Games trilogy, Madeleine L'Engle's Time and Austin series, The Princess Diaries series, the Anne of Green Gables series, Pride and Prejudice, and the Harry Potter series.
10. Frederick Wentworth (Persuasion)
Favorite Film Portrayal: Ciaran Hinds, 1995
Chosen mainly because he writes the most romantic letter in all of literature to protagonist Anne Elliot. I won't spoil it for you, but it contains the line "You pierce my soul," and it since it throws his character into a completely different light, it makes for excellent reread value.Pluses: Very patient, honorable, quite the way with a pen
Minuses: Tendency to be distant, man in uniform (I know that's a plus for a lot of people, but not for me. No offense if you happen to be one, but I happen to be ethically opposed to the military as an institution - not to you personally, of course)
9. Henry Tilney (Northanger Abbey)
Favorite Film Portrayal: JJ Feild, 2007
Pluses: Hilarious, willing to stand up for what he thinks is right, kindMinuses: As an introvert, I sometimes find it difficult to keep up with very extroverted people, as I think Henry is. Since Catherine and I seem to have this in common, perhaps it wouldn't be a huge roadblock, but I imagine it would hamper things somewhat.
8. Peeta Mellark (The Hunger Games)
Film Portrayal That I Have Not Yet Seen But Am Pretty Sure Will Enjoy: Josh Hutcherson, 2012
I am not the biggest Hunger Games fan in the world, but the one character I kept reading for was Peeta. I didn't even care about his romance with Katniss that much; he was just a really decent guy, and I was impressed by his desire to stay true to himself no matter what happened. Complicated slightly by Mockingjay (as everything in this series is), which is why he's 8th instead of, say, 4th on my list.Pluses: Strong sense of self, dry, self-deprecating wit, devotion to the people he loves
Minuses: I am a little bothered by how self-sacrificial he is. Possibly another one of my paradoxes; I am moved by all-encompassing love, but I get annoyed at characters that don't seem to have a life beyond their love interests. So, yeah. Also, Peeta's a bit manipulative in a way I don't entirely love.
7. Calvin O'Keefe (A Wrinkle in Time and its sequels)
Not Including a Film Portrayal Because the Only One There Is Neglected His Red Hair (But He's Played By Zenon: Girl of the 21st Century's Boyfriend Greg)
All-around nice guy and whip-smart, Calvin isn't the most standout character in the series, but I love him for his fundamental goodness and his willingness to be there for Meg and her family no matter what. He doesn't care that she's seen as a bit of an oddball at their school; he likes her for who she is, and tells her so. I appreciate that. Also, redhead. I have a bit of a weakness for red hair, in case you hadn't noticed.Pluses: The "dreamboat eyes" scene, doesn't care what other people think, kind, open, smart, supportive, wants to love and be loved
Minuses: His family would make for awful in-laws
6. Neville Longbottom (the Harry Potter series)
Film Portrayal I Pretty Much Liked: Matthew Lewis, 2001-2011
If you've read Deathly Hallows, this one's a no-brainer.Pluses: Brave, sweet, devoted to his friends and family, such a fabulously layered and developed character
Minuses: Forgetful, fictional (and therefore not able to be my boyfriend)
5. Michael Moscovitz (the Princess Diaries series)
Film Portrayal That Was Okay Enough: Robert Schwartzman, 2001
One of my first literary crushes, probably because I started reading The Princess Diaries series around age 12, and I loved it so much. Especially in the first four books, Michael is so very dreamy. He's nerdy, which appeals to me, and he's obviously and sweetly in love with Mia, which makes him appealing in general. I particularly love their Star Wars-infused first date, and the fact that he tells her he likes her with a self-made computer program.He got considerably less dreamy around the time that Mia herself gets really annoying (I don't think either of them acquitted themselves well in the Michael's-not-actually-a-virgin-(even-though-Meg-Cabot-had-said-he-was-on-her-website-and-then-changed-her-mind-because-she-wanted-to-~make-a-point~-or-something)-and-surprise-Mia-he-never-told-you situation. But come book 10, when Mia's with the supremely unlikable J.P. and Michael comes back from Japan, I was quite happy it was as his lovable old self. Mia was, too.
Pluses: wonderfully nerdy, nice, caring, considerate, patient, musical (I like guys who can sing and/or play instruments), hot (as Mia informs us about ten times a book, but those passages about his well-defined pecs made quite an impression on me as a preteen)
Minuses: a little too cavalier about sex (or at least about the Judith Gershner situation above)
4. Adam Eddington (the Vicky Austin series)
Not Including a Film Portrayal Because Good Lord That Movie Was Disappointing (But If You Were Curious, He Was Played By Ryan Merriman)
Easily my favorite of Vicky's love interests (I am NOT into troubled-but-cute types, a la Zachary Gray, who frankly is more trouble than he's worth). Their relationship is so interesting to read about, and not just in the romantic sense. Oh, and a tip, if you've only seen the Disney Channel movie version of A Ring of Endless Light: read the book. Seriously. Book!Adam and movie!Adam are about as different as it is possible to be. Pluses: smart, caring, friendly, good with kids, "I called you." "And I came."
Minuses: Trust issues
3. Gilbert Blythe (the Anne of Green Gables series)
Favorite Film (Well, Miniseries) Portrayal: Jonathan Crombie, 1985, 1987 (and that is it, do you hear me?)
I haven't met anyone who's read AoGG and doesn't love Gilbert. Of course, it helps that he's "loved [Anne] since that day [she] broke [her] slate over [his] head in school," and one of the most amusing parts of the first book is the barrage of hints at Gilbert's feelings and Anne's blissful unawareness. As they get older, Gilbert's great qualities become more apparent, and it's obvious he's meant for her, which makes it that much more infuriating when she initially turns him down. He's bright, honest, nice, handsome, and head over heels for Anne, and just all-around incredibly sweet. Long story short, I'm constantly flipping through the books just to get to the Gilbert bits, and that should speak for itself.Pluses: Everything
Minuses: Nothing
2. Fitzwilliam Darcy (Pride and Prejudice)
Favorite Film (Well, Miniseries) Portrayal: Colin Firth, 1995
Obligatory addition to every nerdy girl's literary crush list, but there's a reason for it, of course. Great character development is a key component; being played by Colin Firth in the best adaptation helps. Book!Darcy is plenty wonderful on his own, though. He goes from being rather proud and stiff to someone who is willing to do everything for the woman he loves, even when she's already rejected him once (since he is naturally unaware that he is the male lead in an Austen novel and will inevitably end up with Elizabeth anyway, I think the word "selfless" is applicable here).Pluses: Devoted (both to Lizzy and to his little sister), a good friend, clever, kind
Minuses: Not great with strangers, proud (although he gets better)
1. Ron Weasley (the Harry Potter series)
Not Including a Film Portrayal Because Rupert Grint, As Lovely As I'm Sure He Is, Does Not At All Fit My Personal Picture of Ron Weasley. Instead, I Give You Two Pieces of Fanart By Women Named Venessa and Marta
Let's not kid ourselves here. For me, something from Harry Potter is always going to be number one. Ron is my favorite character in the series anyway (though this did not preclude him from making me very angry on occasion), and his romantic subplot was the one I was most invested in (I actually felt physically ill reading that Lavender Brown business from Half-Blood Prince for the first time), so it's really not surprising that he would top this list as well. As for why I like Ron so much in the first place, well, I think a lot of it comes with defending him on the Internet for nearly a decade now, but I genuinely love his character arc. This is also why chapter nineteen of Deathly Hallows, "The Silver Doe," is my favorite chapter of anything ever. I love seeing Ron finally overcome his self-confidence issues and be a hero in his own right. Also, he's very funny and he's a redhead, so how can I not like him? And as a love interest? I love how he loves Hermione, end of story.Pluses: Loyal, brave, hilarious, compassionate (especially midway through DH and onward), protective, caring, red hair
Minuses: Hotheaded, not particularly academically-motivated, has jealousy and confidence issues (that he has mostly resolved by the end of the series), can be rather mean sometimes.
Posted by
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11:59 PM
Top Tens: Literary Crushes
2012-03-12T23:59:00Z
Aida
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Monday, February 6, 2012
Sisterhood Everlasting [SPOILERS]
The Sisterhood of the Traveling Pants has a special place in my heart. They're not the best books ever written, but they spoke to me nonetheless. I hasten to add that I am a quite casual Traveling Pants fan; I've read the first three books and some of the fourth, and I own both movies. I was nevertheless surprised to hear that Ann Brashares had written another installment in the series, however. The cynical side of me thinks she just wrote it so she would have a guaranteed seller on her hands, but even if that is the case, Brashares's writing doesn't really suffer. In fact, I would say her prose is better than it's ever been, bearing in mind it's been a long while since I read the first book. Yet as well-written and ultimately good as this book was, it was also one of the saddest, most heart-wrenching things I've ever read.
Okay, if you don't want to be spoiled for this book, stop reading NOW. Major, major spoilers ahoy. In fact, it is impossible to really discuss this book without discussing the huge, series-changing spoiler, because it's the main plot point in the book. Look away!
Okay, if you don't want to be spoiled for this book, stop reading NOW. Major, major spoilers ahoy. In fact, it is impossible to really discuss this book without discussing the huge, series-changing spoiler, because it's the main plot point in the book. Look away!
Posted by
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11:58 PM
Sisterhood Everlasting [SPOILERS]
2012-02-06T23:58:00Z
Aida
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Monday, January 23, 2012
Art
Today I bought groceries, slept, and tried but mostly failed to work on my Batten application. Thus, I have nothing interesting to report. It was a recovery from Paris day, I guess. In lieu of an actual interesting post, have the rest of the Avatar art I've drawn over the past two weeks:
This actually makes a lot of sense. When I started watching Avatar during my first semester of college, well after the series had ended, I had no expectations for shipping (although I had certainly heard of the shipping wars). During books one and two, I thought Kataang was sort of blandly cute, even if it bothered me that Katara didn’t really seem to reciprocate Aang’s feelings (“The Cave of Two Lovers” being a notable exception). I was intrigued by Zuko and Katara’s dynamic, but I’m decidedly not one of those shippers that enjoys the “I’ll save you from the pirates” scene. Sorry, I’m not really into foe-yay.
I became a Zutara shipper after “The Crossroads of Destiny.” By that point, I knew Kataang was going to be endgame, so I didn’t actually expect anything to happen between Zuko and Katara. But I still think that post-series, they became very close friends at the very least, precisely because they have this shared connection. She’s water and he’s fire, but they’re really very similar, and they’ve both lost their mothers. I think they understand each other quite well, perhaps more than they care to admit.
Which leads me to the end of book three. I honestly believe that the writers made a few significant fumbles here, if they wanted us to support the Aang/Katara pairing. Katara needed to forgive and accept Zuko, but the way it was done created the problem of making them very close emotionally. Look at the way they interact with each other, post-“The Southern Raiders.” Zuko turns to Katara for reassurance and understanding, and she to him. When Aang is missing, when Zuko is afraid to face his uncle, when they’re preparing for the showdown with Azula, they find comfort in one another. While this certainly can be applied to their budding friendship, the way their relationship arc was progressing, it seems like the next natural step would have been to start a romance, particularly with Katara pushing Aang away and telling him that she was confused.
Basically, here’s how I see it:
1. Zuko and Katara connect over the mutual loss of their mothers in Ba Sing Se. He then sides with Azula, which Katara takes quite personally.
2. Zuko joins the Gaang, but Katara isn’t quite ready to forgive him yet. Their interactions, especially on Katara’s part, are highly charged. (This is important.)
3. Zuko desperately wants to gain Katara’s acceptance, to the point where he waits outside her tent all night just to talk to her. He then uses their shared bond - the loss of their mothers - to restart their connection. While Katara ultimately doesn’t take revenge, she comes to forgive Zuko, and they work well together as a team.
4. Aang wants to know why he and Katara haven’t progressed as a couple since their kiss at the invasion. Katara tells him she’s confused, and is justifiably upset when he tries to kiss her again anyway. They have basically no direct interaction after this until the coda of the finale.
5. In the lead up to the showdown with the Fire Lord, Zuko and Katara are often paired up. They’re a team during the battle with Melon Lord, they take charge of the Gaang when Aang disappears (although most of the leadership does go to Zuko, to be fair), and they go to face Azula together. Along the way, Zuko calms Katara, Katara reassures Zuko, and he looks to her when he needs help. Also, June provides some Ship Tease, although this was probably just the writers’ nod to their fanbase.
6. Then there’s the fight with Azula. I challenge you to find a sequence that’s more blatantly Zutara. He freaking takes a bolt of lightning for her. And while, yes, it is thematically significant that Zuko and Katara are working together to take down an enemy instead of being enemies during a finale, I maintain that if the writers had let the story take a natural course, this would have been the time for a Relationship Upgrade. The part where she heals him and they thank each other, Katara with tears in her eyes and a smile on her face, is just begging for romantic resolution.
7. My biggest problem with the Kataang relationship is that it feels too one-sided. There have been moments where I believed Katara returned Aang’s feelings (“The Cave of Two Lovers,” “The Headband”), but they’re few and far between. Now, after Katara has told Aang she’s confused, she suddenly decides she wants him as soon as he’s defeated the Fire Lord. I do like that she’s the one who makes the move, but I can’t buy it. It makes Katara look like Aang’s reward, and I think that’s a disservice to both their characters. Aang saved the world, and that’s great, but Katara doesn’t owe him anything for that. I don’t really see Katara making a choice, here. I see pride in a good friend, I see affection. What I don’t see (or buy, at least) is romantic attraction.
Also, I would have been fine with a peck on the cheek or even a quick kiss on the lips. But it honestly kind of squicks me out - Aang is 12 (for all intents and purposes), and he and Katara share a very adult sort of kiss. He just doesn’t feel grown up enough for something like that, not least because I felt his character didn’t do enough growing up in the finale. This is a problem I consistently had with Aang’s development; I rolled my eyes when 12-year-old Aang said he loved Katara in “The Crossroads of Destiny,” too.
8. Thematically, at least in my eyes, a Katara/Zuko relationship would have been a better choice. They have a great connection, especially because they’re similar enough to understand each other really well. Their interactions are charged - Katara seems to respond far more to Zuko than she ever did to Aang, and she never treated him like she was his mother. By the end of the series, Katara and Zuko seemed closer than Katara and Aang. And, well, if you want me to support Kataang, I think that’s a problem.
So I echo everything in this post, and add that this is something Mike and Bryan should keep in mind (or, at least, I hope they had in mind) when they were developing Legend of Korra. I’m not a Zutara fangirl who liked them because they’d be ~omg so hawt~ together (although I do think they look better together than Aang and Katara do, mostly because Aang is still prepubescent). I liked them together because it seemed like a natural conclusion for their characters and their development, and I know I’m not the only one that feels that way. To me, they are the great relationship that could have been. That they didn’t happen, and that (to me) the Kataang relationship feels forced, are some of Avatar’s very few flaws.
Anyway, happy Monday, and happy Day Before the State of the Union Day!
These are main characters from Avatar: The Legend of Korra. I realize this show has not yet been released, but since I am still ridiculously excited for it, I decided to try my hand at drawing the trio of Korra, Mako, and Bolin. I also drew a picture of Aang and Katara's granddaughters Jinora and Ikki, but I'm not especially happy with it, so I don't think I'll put it online. By the way, is it strange that I really don't like the Aang/Katara pairing but am fangirling like crazy over pictures of their son and his adorable airbending family? Something to ponder, anyway.
This is Katara. She's not my favorite ATLA character, but she's still awesome and probably the most like me. She can waterbend, and since that is my preferred element in the Avatar world, I feel that I am obligated to like her. Anyway. Yes, Katara. She's fun to draw. I'm especially proud of the lower lefthand image. I think I did a good job with her face and her hair. Also, hands are really hard to draw, but I did it!
I drew this today. It's Katara and Zuko who should have ended up together from the finale. The background is a little iffy, but I think I did a reasonably good job with the characters.
Also, who wants some tl;dr about Avatar shipping? Here, have this exchange from my Tumblr from a few months ago:
Tumblr user beeftony:
I hate when people try and justify Zutara by saying that “opposites attract.” Zuko and Katara are not opposites. They bend opposing elements, yes, but let’s consider the facts. They both:Me from the past (as Tumblr user secondhermione):
All of which paints a picture of two people who can relate to each other on an emotional level because they are so goddamn similar. The main thing that separates them is how they reacted to their circumstances, and their relationship with what remains of their families. What keeps them apart is largely circumstantial, and if things had gone differently they may very well have ended up together.
- Have a distant father figure
- Lost their mothers at a young age
- Have a sibling who is more eager to fight than they are
- Had to grow up before they should have
- Have serious anger issues
Zuko and Aang had parallel journeys, but Zuko and Katara reflect one another. That’s different from being opposites, and it’s better for a long term relationship if they have things in common.
That’s why I ship it, anyway.
This actually makes a lot of sense. When I started watching Avatar during my first semester of college, well after the series had ended, I had no expectations for shipping (although I had certainly heard of the shipping wars). During books one and two, I thought Kataang was sort of blandly cute, even if it bothered me that Katara didn’t really seem to reciprocate Aang’s feelings (“The Cave of Two Lovers” being a notable exception). I was intrigued by Zuko and Katara’s dynamic, but I’m decidedly not one of those shippers that enjoys the “I’ll save you from the pirates” scene. Sorry, I’m not really into foe-yay.
I became a Zutara shipper after “The Crossroads of Destiny.” By that point, I knew Kataang was going to be endgame, so I didn’t actually expect anything to happen between Zuko and Katara. But I still think that post-series, they became very close friends at the very least, precisely because they have this shared connection. She’s water and he’s fire, but they’re really very similar, and they’ve both lost their mothers. I think they understand each other quite well, perhaps more than they care to admit.
Which leads me to the end of book three. I honestly believe that the writers made a few significant fumbles here, if they wanted us to support the Aang/Katara pairing. Katara needed to forgive and accept Zuko, but the way it was done created the problem of making them very close emotionally. Look at the way they interact with each other, post-“The Southern Raiders.” Zuko turns to Katara for reassurance and understanding, and she to him. When Aang is missing, when Zuko is afraid to face his uncle, when they’re preparing for the showdown with Azula, they find comfort in one another. While this certainly can be applied to their budding friendship, the way their relationship arc was progressing, it seems like the next natural step would have been to start a romance, particularly with Katara pushing Aang away and telling him that she was confused.
Basically, here’s how I see it:
1. Zuko and Katara connect over the mutual loss of their mothers in Ba Sing Se. He then sides with Azula, which Katara takes quite personally.
2. Zuko joins the Gaang, but Katara isn’t quite ready to forgive him yet. Their interactions, especially on Katara’s part, are highly charged. (This is important.)
3. Zuko desperately wants to gain Katara’s acceptance, to the point where he waits outside her tent all night just to talk to her. He then uses their shared bond - the loss of their mothers - to restart their connection. While Katara ultimately doesn’t take revenge, she comes to forgive Zuko, and they work well together as a team.
4. Aang wants to know why he and Katara haven’t progressed as a couple since their kiss at the invasion. Katara tells him she’s confused, and is justifiably upset when he tries to kiss her again anyway. They have basically no direct interaction after this until the coda of the finale.
5. In the lead up to the showdown with the Fire Lord, Zuko and Katara are often paired up. They’re a team during the battle with Melon Lord, they take charge of the Gaang when Aang disappears (although most of the leadership does go to Zuko, to be fair), and they go to face Azula together. Along the way, Zuko calms Katara, Katara reassures Zuko, and he looks to her when he needs help. Also, June provides some Ship Tease, although this was probably just the writers’ nod to their fanbase.
6. Then there’s the fight with Azula. I challenge you to find a sequence that’s more blatantly Zutara. He freaking takes a bolt of lightning for her. And while, yes, it is thematically significant that Zuko and Katara are working together to take down an enemy instead of being enemies during a finale, I maintain that if the writers had let the story take a natural course, this would have been the time for a Relationship Upgrade. The part where she heals him and they thank each other, Katara with tears in her eyes and a smile on her face, is just begging for romantic resolution.
7. My biggest problem with the Kataang relationship is that it feels too one-sided. There have been moments where I believed Katara returned Aang’s feelings (“The Cave of Two Lovers,” “The Headband”), but they’re few and far between. Now, after Katara has told Aang she’s confused, she suddenly decides she wants him as soon as he’s defeated the Fire Lord. I do like that she’s the one who makes the move, but I can’t buy it. It makes Katara look like Aang’s reward, and I think that’s a disservice to both their characters. Aang saved the world, and that’s great, but Katara doesn’t owe him anything for that. I don’t really see Katara making a choice, here. I see pride in a good friend, I see affection. What I don’t see (or buy, at least) is romantic attraction.
Also, I would have been fine with a peck on the cheek or even a quick kiss on the lips. But it honestly kind of squicks me out - Aang is 12 (for all intents and purposes), and he and Katara share a very adult sort of kiss. He just doesn’t feel grown up enough for something like that, not least because I felt his character didn’t do enough growing up in the finale. This is a problem I consistently had with Aang’s development; I rolled my eyes when 12-year-old Aang said he loved Katara in “The Crossroads of Destiny,” too.
8. Thematically, at least in my eyes, a Katara/Zuko relationship would have been a better choice. They have a great connection, especially because they’re similar enough to understand each other really well. Their interactions are charged - Katara seems to respond far more to Zuko than she ever did to Aang, and she never treated him like she was his mother. By the end of the series, Katara and Zuko seemed closer than Katara and Aang. And, well, if you want me to support Kataang, I think that’s a problem.
So I echo everything in this post, and add that this is something Mike and Bryan should keep in mind (or, at least, I hope they had in mind) when they were developing Legend of Korra. I’m not a Zutara fangirl who liked them because they’d be ~omg so hawt~ together (although I do think they look better together than Aang and Katara do, mostly because Aang is still prepubescent). I liked them together because it seemed like a natural conclusion for their characters and their development, and I know I’m not the only one that feels that way. To me, they are the great relationship that could have been. That they didn’t happen, and that (to me) the Kataang relationship feels forced, are some of Avatar’s very few flaws.
Me in the present: Wow, that was long. I just have a lot of feelings about Zutara, guys.
Posted by
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at
10:55 PM
Art
2012-01-23T22:55:00Z
Aida
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Wednesday, January 11, 2012
Watching Miyazaki
Am I the only person who, despite not wanting kids for a good long while yet, gets really excited about the idea of introducing them to her favorite works of fiction? I guess it helps that I still enjoy family-oriented media, as my love of all things Pixar and YA fiction indicates. Anyway, I had always heard that Hayao Miyazaki's films were treasures and often great for children, but not having grown up in a particularly anime-appreciative family, I hadn't seen many of them myself until I got to college.
I have to admit that I'm still not a huge fan of anime in general. It has nothing to do with animation as a storytelling medium (as longtime readers will know, far from it). It's probably just that that particular style of animation is not especially appealing to me, and sometimes I prefer to watch movies in a language I understand (although this is not always a problem, as I love Akage no Anne, the anime adaptation of Anne of Green Gables, like no tomorrow). But I'm really coming to love Miyazaki's work. True, almost all of it has been dubbed, but they're Miyazaki-approved dubs with generally great voice acting, and if it helps me to access the story better, I can't see why anyone should have a problem with it (I'm sure the Miyazaki purists would beg to differ, though). As of now, my favorites are Castle in the Sky, Spirited Away, and My Neighbor Totoro. I love that Miyazaki consistently chooses female protagonists (although sometimes, as with Sheeta in Castle in the Sky, they can be rather one-note), and can convincingly tell simple stories without major antagonists, like Totoro (I watched the Disney dub with the Fanning sisters, and it was adorable). I don't love all of it (I thought Ponyo was visually stunning and super cute but light on plot, and Princess Mononoke was a bit too gritty for me), but overall I can see why Miyazaki has the reputation he does. I love Pixar precisely because their maxim is storytelling is key, and I think Miyazaki operates in much the same vein.
So, as I get ready to watch Nausicaa of the Valley of the Wind, I'm quite happy to report that I've added Miyazaki's collection to my list of fictional works I must introduce my future children to. They're beautiful stories, full of imagination, inventiveness, and, especially with Totoro, reflections on childhood, and I can't wait to share them with my kids someday.
P.S. Random side note: I was watching Castle in the Sky for the first time last night, and it struck me that Sheeta and Pazu look very much like Anne and Gilbert from Akage no Anne. I don't know if it was the wardrobe or the fact that Miyazaki worked on both or what, but I think it only helped me to love the movie more.
P.P.S. I really do have an actual list of fictional works I plan to introduce my future children to. Let me know if you'd like me to post it!
I have to admit that I'm still not a huge fan of anime in general. It has nothing to do with animation as a storytelling medium (as longtime readers will know, far from it). It's probably just that that particular style of animation is not especially appealing to me, and sometimes I prefer to watch movies in a language I understand (although this is not always a problem, as I love Akage no Anne, the anime adaptation of Anne of Green Gables, like no tomorrow). But I'm really coming to love Miyazaki's work. True, almost all of it has been dubbed, but they're Miyazaki-approved dubs with generally great voice acting, and if it helps me to access the story better, I can't see why anyone should have a problem with it (I'm sure the Miyazaki purists would beg to differ, though). As of now, my favorites are Castle in the Sky, Spirited Away, and My Neighbor Totoro. I love that Miyazaki consistently chooses female protagonists (although sometimes, as with Sheeta in Castle in the Sky, they can be rather one-note), and can convincingly tell simple stories without major antagonists, like Totoro (I watched the Disney dub with the Fanning sisters, and it was adorable). I don't love all of it (I thought Ponyo was visually stunning and super cute but light on plot, and Princess Mononoke was a bit too gritty for me), but overall I can see why Miyazaki has the reputation he does. I love Pixar precisely because their maxim is storytelling is key, and I think Miyazaki operates in much the same vein.
So, as I get ready to watch Nausicaa of the Valley of the Wind, I'm quite happy to report that I've added Miyazaki's collection to my list of fictional works I must introduce my future children to. They're beautiful stories, full of imagination, inventiveness, and, especially with Totoro, reflections on childhood, and I can't wait to share them with my kids someday.
P.S. Random side note: I was watching Castle in the Sky for the first time last night, and it struck me that Sheeta and Pazu look very much like Anne and Gilbert from Akage no Anne. I don't know if it was the wardrobe or the fact that Miyazaki worked on both or what, but I think it only helped me to love the movie more.
P.P.S. I really do have an actual list of fictional works I plan to introduce my future children to. Let me know if you'd like me to post it!
Posted by
Aida
at
11:58 PM
Watching Miyazaki
2012-01-11T23:58:00Z
Aida
Aida paradox|growing up|la vie|le film|storytelling|
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